The Bayeux Tapestry, an iconic embroidered cloth that depicts the Norman invasion of 1066, will come be loaned to British Museum next year, marking the first time the tapestry has visited the UK in more than 900 years.
The loan is the result of an agreement between British Prime Minister Sir Keir Starmer and French President Emmanuel Macron, and will see the tapestry go on view at the British Museum in August 2026. In exchange, the British Museum will send objects from the Sutton Hoo ship burial and the 12th-century Lewis chess pieces to institutions in Normandy, France.
There are few other objects in existence quite like the Bayeux Tapestry, which measures 230 feet long. According to the British Museum, it features 58 scenes, 626 characters, and 202 horses. Together, they tell story of the Normandy Conquest of England and the Battle of Hastings.
It is prized as one of the great works of the Romanesque style, filled with small images that combine to tell a sprawling narrative. The way the tapestry tells its narrative plotted the course for many artworks that followed, including an array of history paintings made in the centuries afterward. It has also inspired an array of contemporary artists, among them Britta Marakatt-Labba, whose 2003–07 tapestry Historjá tells the story of the Sámi people using a similar format.
Already, the presentation of the Bayeux Tapestry in the British capital looks to be one of 2026’s most anticipated shows. And it will be anticipated all the more because officials have been trying to make it happen for the better part of the last decade.
Macron first announced plans to loan the tapestry in 2018, in a gesture that was explicitly intended to symbolize continued connections between the UK and France post-Brexit. At the time, Macron said the tapestry would head to the UK in 2022.
But in 2021, a report found that the tapestry was too fragile to travel, posing a significant setback for the loan. Then, in 2022, it seemed as though the loan might happen again, with the Victoria & Albert Museum undertaking scholarship that might allow that London institution to ultimately exhibit the tapestry. Yet there were no follow-up reports to the Times of London one that revealed the V&A scholarship efforts.
Now, however, the loan appears to be formalized, in another apparent sign that France and the UK wish to affirm connections with each other. Macron posted a lengthy statement about the value of the UK on X today, though he did not mention the tapestry in that post specifically. “The United Kingdom is a strategic partner, an ally, a friend,” Macron wrote. “Our bond is longstanding, forged by History and strengthened by trust.”
British Museum director Nicholas Cullinan said in a statement, “This is exactly the kind of international partnership that I want us to champion and take part in: sharing the best of our collection as widely as possible—and in return displaying global treasures of the world never seen in London before to a global audience.”
The news marks yet another exciting development for Bayeux Tapestry enthusiasts. Earlier this year, a fragment of the tapestry was found in a German archive. That fragment is slated to make its way to France this year.
