Close Menu
  • News
  • Stocks
  • Bonds
  • Commodities
  • Collectables
    • Art
    • Classic Cars
    • Whiskey
    • Wine
  • Trading
  • Alternative Investment
  • Markets
  • More
    • Economy
    • Money
    • Business
    • Personal Finance
    • Investing
    • Financial Planning
    • ETFs
    • Equities
    • Funds

Subscribe to Updates

Get the latest markets and assets news and updates directly to your inbox.

Trending Now

See Obama Center’s Newest Artistic Commissions, Including Njideka Akunyili Crosby’s Portrait of the Former First Couple

June 17, 2026

The Basel legacy of the late Venice Biennale curator Koyo Kouoh – The Art Newspaper

June 17, 2026

Soyoung Yoon to Lead Whitney Museum’s Independent Study Program

June 17, 2026
Facebook X (Twitter) Instagram
Facebook X (Twitter) Instagram
The Asset ObserverThe Asset Observer
Newsletter
LIVE MARKET DATA
  • News
  • Stocks
  • Bonds
  • Commodities
  • Collectables
    • Art
    • Classic Cars
    • Whiskey
    • Wine
  • Trading
  • Alternative Investment
  • Markets
  • More
    • Economy
    • Money
    • Business
    • Personal Finance
    • Investing
    • Financial Planning
    • ETFs
    • Equities
    • Funds
The Asset ObserverThe Asset Observer
Home»Art Market
Art Market

1,200-Year-Old Limestone Lintel was Inadvertently Repatriated to Mexico Instead of to Guatemala

News RoomBy News RoomMay 19, 2026
Share
Facebook Twitter LinkedIn Pinterest Email

The cultural minister of Guatemala has begun the process to reclaim a 1,200-year-old stone lintel that was repatriated from the United States to Mexico in mid-April, according to a report in the Art Newspaper.

The object was initially brought to the Mexican consulate in New York by an unidentified American businessman, who presumably realized that it had been illegally removed from its country of origin at some point before he or she acquired it.

The lintel depicts ritual acts involving the sun god and Cheleew Chan K’inich, a late ruler of the ancient Mayan city Yaxchilán, and was made around 600-900 CE. It is signed by the carver known as Mayuy, one of the only artists in the ancient Americas to sign his sculptures. “He was extraordinarily inventive,” Stephen Houston, an anthropology professor at Brown, told TAN. “[Mayuy fused] in his carvings relationships among gods, the ordering of the cosmos and dynastic machinations.” (Houston is the author of the 2021 book A Maya Universe in Stone, which examines the history of Mayuy’s ancient carvings.)

The lintel in question was first documented by American explorers Dana and Ginger Lamb, who traveled in the tropical forests of northern Guatemala and southern Mexico in the 1950s. At some point later the artifact, along with other stone carvings by Mayuy and other artists, was removed from an area of the jungle that Dana Lamb referred to as Laxtunich, and entered the legally murky antiquities market.

The confusion surrounding its rightful ownership stems from the fact that its original location is in the area surrounding the Usumacinta River, which covers both present-day Mexico and Guatemala. Houston’s research, however, pins the initial discovery to the Guatemalan side of the river.

An article published by Cultural Property News points to this mix-up as an example of how “political spectacle and rushed cultural-property enforcement” can lead to these kinds of restitution snafus. The article also points to ongoing scholarship (by Houston and others) questioning whether Laxtunich is in fact in Guatemala rather than Mexico, and questions why there was little attempt to research the history of this specific lentil before swiftly repatriating it to Mexico, given that Guatemala filed a claim for it just hours after its repatriation to Mexico.

Share. Facebook Twitter Pinterest LinkedIn Tumblr Email

Keep Reading

See Obama Center’s Newest Artistic Commissions, Including Njideka Akunyili Crosby’s Portrait of the Former First Couple

The Basel legacy of the late Venice Biennale curator Koyo Kouoh – The Art Newspaper

Soyoung Yoon to Lead Whitney Museum’s Independent Study Program

Nairy Baghramian: ‘Who wants to be established? I want to remain emerging’ – The Art Newspaper

Galleries Report Lots of Activity at Art Basel’s VIP Preview: “As Strong a First Day As We’ve Ever Had”

Labour of love? Exploring women’s relationship with machines and work – The Art Newspaper

Christie’s to Open Wine Shop at Rockefeller Center in New York

New York’s oldest museum votes for democracy with new wing – The Art Newspaper

D.C. Preservationists Sue to Halt Trump’s Sculpture ‘Garden of American Heroes’

Recent Posts
  • See Obama Center’s Newest Artistic Commissions, Including Njideka Akunyili Crosby’s Portrait of the Former First Couple
  • The Basel legacy of the late Venice Biennale curator Koyo Kouoh – The Art Newspaper
  • Soyoung Yoon to Lead Whitney Museum’s Independent Study Program
  • Nairy Baghramian: ‘Who wants to be established? I want to remain emerging’ – The Art Newspaper
  • Galleries Report Lots of Activity at Art Basel’s VIP Preview: “As Strong a First Day As We’ve Ever Had”

Subscribe to Newsletter

Get the latest markets and assets news and updates directly to your inbox.

Editors Picks

The Basel legacy of the late Venice Biennale curator Koyo Kouoh – The Art Newspaper

June 17, 2026

Soyoung Yoon to Lead Whitney Museum’s Independent Study Program

June 17, 2026

Nairy Baghramian: ‘Who wants to be established? I want to remain emerging’ – The Art Newspaper

June 17, 2026

Galleries Report Lots of Activity at Art Basel’s VIP Preview: “As Strong a First Day As We’ve Ever Had”

June 16, 2026

Labour of love? Exploring women’s relationship with machines and work – The Art Newspaper

June 16, 2026
Facebook X (Twitter) Instagram
© 2026 The Asset Observer. All Rights Reserved.
  • Privacy Policy
  • Terms
  • Press Release
  • Advertise
  • Contact

Type above and press Enter to search. Press Esc to cancel.