Share Facebook Twitter LinkedIn Pinterest Email Sung Tieu transforms the pavilion’s Nazi-era exterior while the late Henrike Naumann’s final work turns inward to the politics of domestic life. The post A Pavilion of Ruins: Germany Reconsiders Its Past in Venice appeared first on Artnet News.
Strong First Half Numbers Confirm That the Auction Houses Have Changed, Even If the Rest of the Art Market Is Still Catching Up
Whereabouts of Cuban artist-activist Luis Manuel Otero Alcántara remain unknown following end of prison sentence – The Art Newspaper