Close Menu
  • News
  • Stocks
  • Bonds
  • Commodities
  • Collectables
    • Art
    • Classic Cars
    • Whiskey
    • Wine
  • Trading
  • Alternative Investment
  • Markets
  • More
    • Economy
    • Money
    • Business
    • Personal Finance
    • Investing
    • Financial Planning
    • ETFs
    • Equities
    • Funds

Subscribe to Updates

Get the latest markets and assets news and updates directly to your inbox.

Trending Now

Kevin Warsh’s hearing is set for next week. What to watch as Trump’s pick for Fed chair faces Senate spotlight.

April 14, 2026

Crypto Market Update: Bitcoin, Digital Assets Following Macro Signals

April 14, 2026

Marcel Duchamp readymades show to inaugurate new Gagosian Upper East Side gallery.

April 14, 2026
Facebook X (Twitter) Instagram
Facebook X (Twitter) Instagram
The Asset ObserverThe Asset Observer
Newsletter
LIVE MARKET DATA
  • News
  • Stocks
  • Bonds
  • Commodities
  • Collectables
    • Art
    • Classic Cars
    • Whiskey
    • Wine
  • Trading
  • Alternative Investment
  • Markets
  • More
    • Economy
    • Money
    • Business
    • Personal Finance
    • Investing
    • Financial Planning
    • ETFs
    • Equities
    • Funds
The Asset ObserverThe Asset Observer
Home»Art Market
Art Market

France’s Château La Coste hosts four decades of work by designer Marc Newson – The Art Newspaper

News RoomBy News RoomApril 14, 2026
Share
Facebook Twitter LinkedIn Pinterest Email

In 1994, the Australian designer Marc Newson was commissioned to create a sculpture for the Olympics, to be held in Atlanta in 1996. “There was a whole group of us: me, Ron Arad, Alessandro Mendini,” Newson says, “all briefed to make something with a small footprint and high visibility.” Newson designed a 6m-tall column, with two lobes at the top. “It’s like a giant tuning fork,” he says of the piece called Electra. “It was beautifully produced by the aluminium foundry in Newport Pagnell in England, who I’ve worked with from the beginning, from the 1980s.”

The works were never installed in Atlanta, nor in Sydney, where they were optimistically transported for the following games. But now, over 30 years later, Electra has been taken out of its crates and will greet visitors to Château La Coste, near to Aix-en-Provence, from now until 21 June. “It’s been all over the world,” Newson says. “I eventually tracked it down and had it completely restored.”

Electra heralds an exhibition of Newson’s work that is taking place in the glazed pavilion designed by Oscar Niemeyer in Château La Coste’s grounds, and was the Brazilian architect’s final building. Newson had been discussing a show for several years with Paddy McKillen, Château La Coste’s Irish owner, who is a keen design collector, as well as a major art collector, and owns a number of Newson’s works. “I chose pieces that border on design and sculpture for the exhibition, which are relevant both culturally and physically in the context of Château La Coste, with its landscape full of contemporary sculpture,” Newson says. “So, it amounts toa highly curated survey of 40 years of my work.”

The Lockheed Lounge, shown here, dates from 1988 and is the earliest design on show. “There are 15 in total,” Newson says, “and most are in museum collections. This one came from a private collector who was happy to lend it.” A green-and-translucent glass armchair, created in 2017 with a specialist in the Czech Republic, was the most complex to achieve.

Meanwhile, Electra has been acquired by the Los Angeles-based collector Philip Serafim, who has a particular passion for concept cars and owns the one that Newson designed for Ford in 1999. “Electra was made by guys who had worked at Aston Martin,” Newson says. “With Philip, it’s definitely ended up with the right owner.”

  • Marc Newson, Château La Coste, Provence, 15 March-21 June
Share. Facebook Twitter Pinterest LinkedIn Tumblr Email

Keep Reading

Marcel Duchamp readymades show to inaugurate new Gagosian Upper East Side gallery.

After Five Years of Community Building, Social Practice CUNY Initiative to End in 2027

Artists Criticize Somalia’s First-Ever Venice Biennale Pavilion: ‘This Pavilion Does Not Speak for Us’

Marc Restellini’s ‘atom bomb’ of a Modigliani catalogue raisonné is finally published – The Art Newspaper

FKA Twigs, Brian Eno and Dev Hynes to show in the Vatican Pavilion at the 2026 Venice Biennale.

The Bennett Prize Just Raised Its Award to $75,000. These Artists Think You Should Apply.

France’s new restitution law passes final vote – The Art Newspaper

The Incredible Story of Edmonia Lewis, America’s First Black and Indigenous International Art Star

French Politicians Vote in Favor of Bill on Artifacts Looted During Colonial Era: ‘A True Historic Monument’

Recent Posts
  • Kevin Warsh’s hearing is set for next week. What to watch as Trump’s pick for Fed chair faces Senate spotlight.
  • Crypto Market Update: Bitcoin, Digital Assets Following Macro Signals
  • Marcel Duchamp readymades show to inaugurate new Gagosian Upper East Side gallery.
  • After Five Years of Community Building, Social Practice CUNY Initiative to End in 2027
  • Almonty Moves HQ to Montana, Boosts US Tungsten Independence

Subscribe to Newsletter

Get the latest markets and assets news and updates directly to your inbox.

Editors Picks

Crypto Market Update: Bitcoin, Digital Assets Following Macro Signals

April 14, 2026

Marcel Duchamp readymades show to inaugurate new Gagosian Upper East Side gallery.

April 14, 2026

After Five Years of Community Building, Social Practice CUNY Initiative to End in 2027

April 14, 2026

Almonty Moves HQ to Montana, Boosts US Tungsten Independence

April 14, 2026

Artists Criticize Somalia’s First-Ever Venice Biennale Pavilion: ‘This Pavilion Does Not Speak for Us’

April 14, 2026
Facebook X (Twitter) Instagram
© 2026 The Asset Observer. All Rights Reserved.
  • Privacy Policy
  • Terms
  • Press Release
  • Advertise
  • Contact

Type above and press Enter to search. Press Esc to cancel.