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Gauguin ‘fake’ is real, Mrinalini Mukherjee and her circle, Franz Xaver Messerschmidt’s head piece—podcast – The Art Newspaper

News RoomBy News RoomOctober 31, 2025
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The authenticity of the final self-portrait by Paul Gauguin, made in 1903 and housed in the Kunstmuseum in Basel, was earlier this year called into question. Now, the museum has completed its promised analysis, and confirmed that the painting is not a fake and is by Gauguin. Ben Luke talks to The Art Newspaper’s special correspondent, Martin Bailey, about the saga.

Mrinalini Mukherjee and works in progress at her garage studio. New Friends Colony, New Delhi, c.1985

Courtesy of Mrinalini Mukherjee Foundation and Asia Art Archive. Photo: Ranjit Singh

In recent years, the late Indian sculptor Mrinalini Mukherjee has come to increasing prominence. Now, a show at the Royal Academy of Arts in London, called A Story of South Asian Art: Mrinalini Mukherjee and Her Circle, explores her work in the context of six other artists including her parents, Leela Mukherjee and Benode Behari Mukherjee. The exhibition’s curator, Tarini Malik, tells Ben more.

Franz Xaver Messerschmidt, Character Head No. 25

Photo: Johannes Stoll / Belvedere, Vienna

And this episode’s Work of the Week is Character Head No.25 by Franz Xaver Messerschmidt, the 18th-century sculptor who was born in Germany, and lived in modern-day Austria and Slovakia. The bust features in the exhibition Franz Xaver Messerschmidt: More than Character Heads, at the Belvedere in Vienna, and we talk to the exhibition’s curators, Katharina Lovecky and Georg Lechner, about the work.

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Recent Posts
  • A New Model for Stewardship: Talladega College’s Partnership to Share Hale Woodruff’s Murals
  • Project Native Informant, Hip London Gallery, Closes After 12 Years
  • Maurizio Cattelan’s solid gold toilet going to auction at Sotheby’s – The Art Newspaper
  • PETA Calls for Egypt to Allocate Grand Egyptian Museum Revenue to Support Animal Sanctuary
  • ‘Sometimes the space comes first’: how Shohei Shigematsu is using architecture to break cultural ground – The Art Newspaper

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Editors Picks

Project Native Informant, Hip London Gallery, Closes After 12 Years

November 1, 2025

Maurizio Cattelan’s solid gold toilet going to auction at Sotheby’s – The Art Newspaper

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‘Sometimes the space comes first’: how Shohei Shigematsu is using architecture to break cultural ground – The Art Newspaper

November 1, 2025

Princeton’s New Museum Feels Intimate Despite Its Overwhelming Size

October 31, 2025
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