Close Menu
  • News
  • Stocks
  • Bonds
  • Commodities
  • Collectables
    • Art
    • Classic Cars
    • Whiskey
    • Wine
  • Trading
  • Alternative Investment
  • Markets
  • More
    • Economy
    • Money
    • Business
    • Personal Finance
    • Investing
    • Financial Planning
    • ETFs
    • Equities
    • Funds

Subscribe to Updates

Get the latest markets and assets news and updates directly to your inbox.

Trending Now

‘If a work is meant to be mine, there’s always time’: Mashonda Tifrere on the art she collects and why – The Art Newspaper

February 26, 2026

Oregon: America’s Premier Domestic Nickel Opportunity

February 26, 2026

Bearing the weight of the world: Amanda Ross-Ho rolls out a new performance at Frieze Los Angeles – The Art Newspaper

February 26, 2026
Facebook X (Twitter) Instagram
Facebook X (Twitter) Instagram
The Asset ObserverThe Asset Observer
Newsletter
LIVE MARKET DATA
  • News
  • Stocks
  • Bonds
  • Commodities
  • Collectables
    • Art
    • Classic Cars
    • Whiskey
    • Wine
  • Trading
  • Alternative Investment
  • Markets
  • More
    • Economy
    • Money
    • Business
    • Personal Finance
    • Investing
    • Financial Planning
    • ETFs
    • Equities
    • Funds
The Asset ObserverThe Asset Observer
Home»Art Market
Art Market

‘If a work is meant to be mine, there’s always time’: Mashonda Tifrere on the art she collects and why – The Art Newspaper

News RoomBy News RoomFebruary 26, 2026
Share
Facebook Twitter LinkedIn Pinterest Email

Before Mashonda Tifrere became a curator and art adviser, she was a singer—collaborating with people like Jay-Z, Snoop Dogg, Eve, DMX, Nas and Swizz Beatz. While taking a break from her musical career, Tifrere founded the nonprofit organisations ArtLeadHER and Art Genesis in 2016. ArtLeadHER provides visual-arts education and exhibition opportunities to women and teenage girls, while Art Genesis helps organise shows for emerging and underrepresented artists.

In the past decade, Tifrere has curated more than 40 exhibitions and worked with more than 250 women worldwide. Last year, Tifrere worked with the University of California, San Diego, to create a mindfulness audio tour for its 22-piece Stuart Collection of public art. She also recently curated a Faith Ringgold show for the university’s art gallery, which opens on Saturday (28 February).

Tifrere grew up in Harlem in the 1980s, and she credits her artist uncle and her art-collecting godmother with inspiring her at an early age. Based in San Diego since 2020, Tifrere’s own art collection centres on supporting living Black artists. Over the years, she has acquired works by artists including Derrick Adams, Patrick Alston, Tawny Chatmon, Monica Ikegwu, Nate Lewis, Lauren Pearce and Chantel Walkes.

Tifrere’s collection includes Gordon Parks’s black-and-white photograph Untitled, Harlem, NYC (1952) Courtesy Mashonda Tifrere

The Art Newspaper: What are you looking forward to during Frieze Los Angeles this year?

Mashonda Tifrere: I’m looking forward to the Focus sector at Frieze—curated by Essence Harden—which champions emerging artists.

Where do you like to eat and drink in or near Santa Monica?

The brunch at Ivy at the Shore will always be my favourite.

What was the first work you ever bought?

An Ansel Adams print titled Oak Tree, Snowstorm from 1948. I was 20 years old when I bought it in New York.

What was the most recent work you bought?

I recently bought a beautiful painting by Hiba Schahbaz. Her first major exhibition, The Garden, is on view until 16 March at the Museum of Contemporary Art North Miami.

Tifrere at Hiba Schahbaz’s studio with her latest acquisition, Nude (2026) Courtesy Mashonda Tifrere

How quickly do you decide to buy a work of art?

I always sleep on it; I give myself 24 to 72 hours. Honestly, I’ve never bought an artwork impulsively.

What do you regret not buying when you had the chance?

I have no regrets. And I feel good about all my acquisitions. If a work is meant to be mine, there’s always time to buy it.

If you could have any work from any museum in the world, what would it be?

Jean-Michel Basquiat’s Untitled (Skull) (1981) from The Broad.

Who are you rooting for at the Oscars this year?

Either Michael B. Jordan or Leonardo DiCaprio.

Share. Facebook Twitter Pinterest LinkedIn Tumblr Email

Keep Reading

Bearing the weight of the world: Amanda Ross-Ho rolls out a new performance at Frieze Los Angeles – The Art Newspaper

Los Angeles museums on the cusp of new golden age – The Art Newspaper

‘Painting continues to be viable’: Enrique Martínez Celaya on his sugar-coated show at the Wende Museum – The Art Newspaper

Palisades Fire Memorial rises from the ashes – The Art Newspaper

Ukraine Adopts New Resolution on Evacuating Museum Objects From Conflict Zones

Why Robert Therrien is a big deal – The Art Newspaper

Volunteer Group Documents Smithsonian Wall Text as Trump Administration Presses Cultural Review

A selective history of the moving image comes to downtown Los Angeles – The Art Newspaper

Éliane Radigue, Composer of Epochal Electronic Sounds, Dies at 94

Recent Posts
  • ‘If a work is meant to be mine, there’s always time’: Mashonda Tifrere on the art she collects and why – The Art Newspaper
  • Oregon: America’s Premier Domestic Nickel Opportunity
  • Bearing the weight of the world: Amanda Ross-Ho rolls out a new performance at Frieze Los Angeles – The Art Newspaper
  • Domestic Metals: Investing in America’s Copper Future to Meet Critical Metal Demand
  • Los Angeles museums on the cusp of new golden age – The Art Newspaper

Subscribe to Newsletter

Get the latest markets and assets news and updates directly to your inbox.

Editors Picks

Oregon: America’s Premier Domestic Nickel Opportunity

February 26, 2026

Bearing the weight of the world: Amanda Ross-Ho rolls out a new performance at Frieze Los Angeles – The Art Newspaper

February 26, 2026

Domestic Metals: Investing in America’s Copper Future to Meet Critical Metal Demand

February 26, 2026

Los Angeles museums on the cusp of new golden age – The Art Newspaper

February 26, 2026

‘Painting continues to be viable’: Enrique Martínez Celaya on his sugar-coated show at the Wende Museum – The Art Newspaper

February 26, 2026
Facebook X (Twitter) Instagram
© 2026 The Asset Observer. All Rights Reserved.
  • Privacy Policy
  • Terms
  • Press Release
  • Advertise
  • Contact

Type above and press Enter to search. Press Esc to cancel.