Sasha Suda, the director and CEO of the newly rebranded Philadelphia Art Museum, was dismissed on Tuesday, according to reports from the Philadelphia Inquirer and Philadelphia Magazine.
ARTnews has reached out to the institution for comment. The museum continues to list Suda as its leader on its website.
Philadelphia Magazine reported that Suda was told of her dismissal this morning via an email that stated she was being terminated for “cause,” though the email reportedly did not explicitly outline what that cause was. After the email was sent, “the board met, seemingly to be advised on what, exactly, the cause is,” according to the publication.
Though it is not entirely clear why Suda was dismissed, the news comes one day after the Inquirer published a report on the museum’s recent rebranding. Formerly known as the Philadelphia Museum of Art, the institution is now labeling itself the Philadelphia Art Museum.
Suda said that the museum undertook the name change to more clearly emphasize its locale. “Our focus and vision are unabashedly Philadelphian; we’re opening our doors to become more collaborative and future-focused for all,” she said. But the rebranding was largely mocked online by observers who claimed the museum had made a big deal of changing very little about itself.
It also doesn’t appear to have been popular internally. Yoram (Jerry) Wind, a board member at the museum, told the Inquirer that he and the other trustees were not apprised of the change in advance. “We had expected to see it after the board gave feedback and expected to see the final version so we could approve it or at least see what they were planning to do. And it was launched, so we were as surprised as everyone else,” he said.
Yet Suda had been internally controversial for other reasons as well. According to the Philadelphia Citizen, certain trustees disagreed on what the publication called an emphasis on “inclusion.”
Suda came to the Philadelphia Art Museum in 2022, having previously been director and CEO of the National Gallery of Canada. At the time, the museum had already been facing scrutiny from the public following reports that the institution had failed to properly investigate an employee accused of sexual misconduct. Timothy Rub, the institution’s longtime director, resigned before Suda took the helm.
But under Suda, internal dissent appeared to grow louder. Almost from the start, her leadership drew denouncement from unionized staff, who began striking not long after she assumed her new role. Seventeen days passed before Suda acknowledged the work stoppage; two more went by before the museum struck a new contract agreement with the union. Yet even as recently as 2024, union representatives continued to claim that its workers and Suda were locked in tense negotiations.
In its report on Tuesday, the Inquirer also pointed out that the museum had been operating with a deficit for several years and that attendance had dwindled since the pandemic, as has been the case with most US institutions.
The museum has also seen one high-profile departure under Suda’s leadership: Carlos Basualdo, who had been with the museum 17 years before Suda appointed him deputy director and chief curator in 2022. Basualdo, whose past curatorial credits included a lauded Jasper Johns retrospective, left that post “about a year ago,” according to the Inquirer, which also noted that the museum did not announce this publicly.
Both the Inquirer and Philadelphia Magazine said that it was not clear who would lead the museum next.
