Close Menu
  • News
  • Stocks
  • Bonds
  • Commodities
  • Collectables
    • Art
    • Classic Cars
    • Whiskey
    • Wine
  • Trading
  • Alternative Investment
  • Markets
  • More
    • Economy
    • Money
    • Business
    • Personal Finance
    • Investing
    • Financial Planning
    • ETFs
    • Equities
    • Funds

Subscribe to Updates

Get the latest markets and assets news and updates directly to your inbox.

Trending Now

Ali Eyal Wins Hammer Museum’s $100,000 Mohn Award

February 11, 2026

With New Bill, Israel Moves to Expand Control Over Ancient West Bank Sites

February 10, 2026

Crimson Wine Group Purchases Sonoma’s Raeburn for $35 Million

February 10, 2026
Facebook X (Twitter) Instagram
Facebook X (Twitter) Instagram
The Asset ObserverThe Asset Observer
Newsletter
LIVE MARKET DATA
  • News
  • Stocks
  • Bonds
  • Commodities
  • Collectables
    • Art
    • Classic Cars
    • Whiskey
    • Wine
  • Trading
  • Alternative Investment
  • Markets
  • More
    • Economy
    • Money
    • Business
    • Personal Finance
    • Investing
    • Financial Planning
    • ETFs
    • Equities
    • Funds
The Asset ObserverThe Asset Observer
Home»Art Market
Art Market

Smithsonian’s National Museum of Asian Art will return three bronze sculptures to India after provenance review – The Art Newspaper

News RoomBy News RoomFebruary 10, 2026
Share
Facebook Twitter LinkedIn Pinterest Email

The National Museum of Asian Art (NMAA) in Washington, DC, which is part of the Smithsonian Institution, announced last month that it will deaccession three bronze sculptures and return them to India following reviews of the objects’ provenance that revealed they had been removed illegally.

Two of the objects were produced during the Chola period (around 990 and in the 12th century), a time when royal patronage helped establish southern India as a major centre of bronze casting. The third bronze artefact being returned to India dates from the Vijayanagar period in the 16th century.

Saint Sundarar with Paravai, Vijayanagar period, 16th century, Tamil Nadu state, India National Museum of Asian Art, Smithsonian Institution, Arthur M. Sackler Collection, Gift of Arthur M. Sackler

The bronzes depict Hindu figures and were used in temple worship and ritual processions. Produced using the lost-wax technique, such figures are particularly valued for their naturalistic modelling, fluid movement and devotional function. Many surviving examples were taken from temples during the 20th century as the international market for such artefacts grew.

The oldest of the three objects, Shiva Nataraja, will remain at the NMAA on long-term loan from India, with its full historical context provided in updated signage

Shiva Nataraja, Chola period, around 990, Tamil Nadu state, India National Museum of Asian Art, Smithsonian Institution, Freer Collection, Purchase — Charles Lang Freer Endowment and funds provided by Margaret and George Haldeman

In 2023, researchers at the NMAA working with the Photo Archives of the French Institute of Pondicherry found that, between 1956 and 1959, these three bronzes had photographed in temples in the south Indian state of Tamil Nadu. Those findings were then reviewed by India’s Archaeological Survey, which concluded that the artefacts had been taken in violation of national laws.

Late last year, the NMAA returned three statues to the Cambodian government after an internal assessment determined the objects had been taken out of Cambodia during the country’s civil war (1967-75).

Share. Facebook Twitter Pinterest LinkedIn Tumblr Email

Keep Reading

Ali Eyal Wins Hammer Museum’s $100,000 Mohn Award

With New Bill, Israel Moves to Expand Control Over Ancient West Bank Sites

TEFAF New York Names 88 Exhibitors for 2026 Edition at Park Avenue Armory

Bard College President Leon Botstein Scrutinized for Relationship with Jeffrey Epstein

Lauren Haynes Appointed Executive Director of Atlanta Contemporary

Investigators Find Decades-Long Mismanagement, Corruption at China’s Nanjing Museum

Prominent Collector and Navy Secretary John Phelan Rode On Jeffrey Epstein’s Private Plane

David A. Ross resigns from New York’s School of Visual Arts over friendship with Jeffrey Epstein – The Art Newspaper

Why Claire Tabouret Is One of the Most Compelling Painters of Her Generation

Recent Posts
  • Ali Eyal Wins Hammer Museum’s $100,000 Mohn Award
  • With New Bill, Israel Moves to Expand Control Over Ancient West Bank Sites
  • Crimson Wine Group Purchases Sonoma’s Raeburn for $35 Million
  • Why the S&P 500 still can’t manage to close above 7,000
  • TEFAF New York Names 88 Exhibitors for 2026 Edition at Park Avenue Armory

Subscribe to Newsletter

Get the latest markets and assets news and updates directly to your inbox.

Editors Picks

With New Bill, Israel Moves to Expand Control Over Ancient West Bank Sites

February 10, 2026

Crimson Wine Group Purchases Sonoma’s Raeburn for $35 Million

February 10, 2026

Why the S&P 500 still can’t manage to close above 7,000

February 10, 2026

TEFAF New York Names 88 Exhibitors for 2026 Edition at Park Avenue Armory

February 10, 2026

The S&P 500 just accomplished a first-time feat — and it suggests more wild swings ahead

February 10, 2026
Facebook X (Twitter) Instagram
© 2026 The Asset Observer. All Rights Reserved.
  • Privacy Policy
  • Terms
  • Press Release
  • Advertise
  • Contact

Type above and press Enter to search. Press Esc to cancel.