Close Menu
  • News
  • Stocks
  • Bonds
  • Commodities
  • Collectables
    • Art
    • Classic Cars
    • Whiskey
    • Wine
  • Trading
  • Alternative Investment
  • Markets
  • More
    • Economy
    • Money
    • Business
    • Personal Finance
    • Investing
    • Financial Planning
    • ETFs
    • Equities
    • Funds

Subscribe to Updates

Get the latest markets and assets news and updates directly to your inbox.

Trending Now

5 Ways to Celebrate Betye Saar’s 100th Birthday

July 24, 2026

‘I was on my way to experience the last-known remaining bottle of Romanée-Conti 1899’

July 24, 2026

Bard’s Betty Parsons Retrospective Is a Revelation

July 24, 2026
Facebook X (Twitter) Instagram
Facebook X (Twitter) Instagram
The Asset ObserverThe Asset Observer
Newsletter
LIVE MARKET DATA
  • News
  • Stocks
  • Bonds
  • Commodities
  • Collectables
    • Art
    • Classic Cars
    • Whiskey
    • Wine
  • Trading
  • Alternative Investment
  • Markets
  • More
    • Economy
    • Money
    • Business
    • Personal Finance
    • Investing
    • Financial Planning
    • ETFs
    • Equities
    • Funds
The Asset ObserverThe Asset Observer
Home»Art Market
Art Market

Studio Museum’s Connie H. Choi Named Chief Curator of the Barnes Foundation

News RoomBy News RoomJune 23, 2026
Share
Facebook Twitter LinkedIn Pinterest Email

The Barnes Foundation in Philadelphia has named Connie H. Choi as chief curator and vice president for art and education, the latter being a newly created position. She succeeds Nancy Ireson, who held the title of chief curator and deputy director for collections and exhibitions and left the position in November. Choi begins at the Barnes on September 8.

Choi is currently curator at the Studio Museum in Harlem, where she has worked for nearly a decade. At the Studio Museum, she worked closely with Thelma Golden, its director and chief curator, to map out the museum’s curatorial vision, including its recent reopening last fall.

To inaugurate the new building, Choi served as lead curator for its collection hang, titled “From Now: A Collection in Context” and curated a survey of Tom Lloyd, who had received the Studio Museum’s very first exhibition. ARTnews’s Alex Greenberger described the Lloyd exhibition as “both a feat of scholarship—curator Connie H. Choi searched high and low for sculptures by Lloyd, some of which remain unfound—and a useful primer on an artist who bridged the gap between life and art.”

Other curatorial credits at the Studio Museum include “Black Refractions: Highlights from The Studio Museum in Harlem” (2019–21), “Their Own Harlems” (2017–18), “Fictions” (2017–18), “Regarding the Figure” (2017), and “Infinite Blue” (2017). She also collaborated with the Studio Museum’s Learning and Engagement department on the Find Art Here initiative, which brought reproductions of Studio Museum–owned works to various parts of Harlem.

She won a Henry Allen Moe Prize for the catalog that accompanied “Black Refractions” and received a Center for Curatorial Research Fellowship in 2022. In addition to her curatorial work, she has taught art history courses at Barnard College, Columbia University, and New York University.

“The Barnes as an educational institution holds a particular resonance for me given my background in arts pedagogy, which I have employed in both museum spaces and higher education classrooms,” Choi said in a statement. “I am inspired by the Barnes’s progressive vision and excellence in arts and education and look forward to drawing on my spectrum of experience to support the incredible work of my new colleagues across many departments, and the institution at large.”

At the Barnes, Choi will be focused on shaping the museum’s “curatorial and educational vision in alignment with and reflecting the larger strategic goals of the institution” and overseeing “the curatorial, collections, conservation, registration, exhibitions, and research, interpretation, adult learning, and academic programs departments,” per a release. She will also continue to curate her own exhibitions and publish her research.

“In the interest of fostering greater synergies between our curatorial and conservation functions, and our research, interpretation, and adult education operations, I have merged these departments under Connie’s leadership,” Barnes executive director and president Thom Collins said in a statement. “Her impressive curatorial and scholarly achievements, and pioneering work relating to artists of the material histories and cultures of the African diaspora, make her uniquely prepared to lead the work of these important departments.”

Share. Facebook Twitter Pinterest LinkedIn Tumblr Email

Keep Reading

5 Ways to Celebrate Betye Saar’s 100th Birthday

Bard’s Betty Parsons Retrospective Is a Revelation

The Knicks Championship Trophy Is Heading to the American Museum of Natural History

Leonardo da Vinci May Become the Face of Future Euro Banknotes

Appeals court sides with Jeff Koons in copyright-infringement dispute over ‘Made in Heaven’ series – The Art Newspaper

MFA Boston to host exclusive U.S. Pierre-Auguste Renoir exhibition in February 2027.

South Korean Museum Returns Two Qing Dynasty Lion Sculptures to China

MEET THE ARTIST: BEN GARZA

FBI Returns Looted Cultural Artifacts to Indonesia

Recent Posts
  • 5 Ways to Celebrate Betye Saar’s 100th Birthday
  • ‘I was on my way to experience the last-known remaining bottle of Romanée-Conti 1899’
  • Bard’s Betty Parsons Retrospective Is a Revelation
  • Scott Melbye: Uranium Prices, Stocks Setting Up for Year-End Rally
  • How the farm-to-table movement is influencing drinking culture

Subscribe to Newsletter

Get the latest markets and assets news and updates directly to your inbox.

Editors Picks

‘I was on my way to experience the last-known remaining bottle of Romanée-Conti 1899’

July 24, 2026

Bard’s Betty Parsons Retrospective Is a Revelation

July 24, 2026

Scott Melbye: Uranium Prices, Stocks Setting Up for Year-End Rally

July 24, 2026

How the farm-to-table movement is influencing drinking culture

July 24, 2026

M. Stephen Enders: Copper Crunch? Where the Next Mines Will Come From

July 24, 2026
Facebook X (Twitter) Instagram
© 2026 The Asset Observer. All Rights Reserved.
  • Privacy Policy
  • Terms
  • Press Release
  • Advertise
  • Contact

Type above and press Enter to search. Press Esc to cancel.