Close Menu
  • News
  • Stocks
  • Bonds
  • Commodities
  • Collectables
    • Art
    • Classic Cars
    • Whiskey
    • Wine
  • Trading
  • Alternative Investment
  • Markets
  • More
    • Economy
    • Money
    • Business
    • Personal Finance
    • Investing
    • Financial Planning
    • ETFs
    • Equities
    • Funds

Subscribe to Updates

Get the latest markets and assets news and updates directly to your inbox.

Trending Now

Oregon: America’s Premier Domestic Nickel Opportunity

February 26, 2026

Bearing the weight of the world: Amanda Ross-Ho rolls out a new performance at Frieze Los Angeles – The Art Newspaper

February 26, 2026

Domestic Metals: Investing in America’s Copper Future to Meet Critical Metal Demand

February 26, 2026
Facebook X (Twitter) Instagram
Facebook X (Twitter) Instagram
The Asset ObserverThe Asset Observer
Newsletter
LIVE MARKET DATA
  • News
  • Stocks
  • Bonds
  • Commodities
  • Collectables
    • Art
    • Classic Cars
    • Whiskey
    • Wine
  • Trading
  • Alternative Investment
  • Markets
  • More
    • Economy
    • Money
    • Business
    • Personal Finance
    • Investing
    • Financial Planning
    • ETFs
    • Equities
    • Funds
The Asset ObserverThe Asset Observer
Home»Art Market
Art Market

Volunteer Group Documents Smithsonian Wall Text as Trump Administration Presses Cultural Review

News RoomBy News RoomFebruary 26, 2026
Share
Facebook Twitter LinkedIn Pinterest Email

A group of historians and volunteers has been documenting wall labels across the Smithsonian Institution as the Trump administration pushes for changes to how American history is presented in federal museums, according to The Washington Post.

The effort, organized under the name Citizen Historians for the Smithsonian, began after administration officials called for reviews of content at several museums and urged the removal of what they described as “divisive narratives.” The Smithsonian, which comprises 21 museums and the National Zoo, has increasingly become a focal point in debates over historical interpretation.

The group was co-founded by James Millward, a Georgetown University historian, and Chandra Manning, a US history professor at Georgetown. Over seven weeks in late summer and early fall, they recruited hundreds of volunteers to photograph and archive publicly accessible wall text throughout the Smithsonian system, compiling more than 50,000 images, the Post reported.

The documentation effort drew attention after the National Portrait Gallery replaced wall text accompanying President Donald Trump’s portrait. According to the Post, the previous label stated that Trump was “impeached twice, on charges of abuse of power and incitement of insurrection.” The updated text was shorter and did not include that language.

Millward went to the National Portrait Gallery and distributed printouts of the earlier label to visitors, describing the action as “guerrilla teaching.” Security officers told him he could not hand out literature inside the museum. The gallery was temporarily cleared before reopening. A spokesperson for the Portrait Gallery said museum officers “followed protocol.”

The Trump administration has issued directives aimed at eliminating what it calls “improper ideology” in cultural institutions and has requested reviews of several Smithsonian museums.

Grassroots efforts to document existing signage have emerged in response, including initiatives such as Save Our Signs and the History, Archives, and Records Preservation Project, which track changes to public historical content.

Supporters of the documentation campaign argue that preserving records of wall text and signage serves as a safeguard against potential censorship. The episode at the National Portrait Gallery highlights how museum labels—often overlooked by visitors—have become part of a broader national debate over how American history is presented.

Share. Facebook Twitter Pinterest LinkedIn Tumblr Email

Keep Reading

Bearing the weight of the world: Amanda Ross-Ho rolls out a new performance at Frieze Los Angeles – The Art Newspaper

Los Angeles museums on the cusp of new golden age – The Art Newspaper

‘Painting continues to be viable’: Enrique Martínez Celaya on his sugar-coated show at the Wende Museum – The Art Newspaper

Palisades Fire Memorial rises from the ashes – The Art Newspaper

Ukraine Adopts New Resolution on Evacuating Museum Objects From Conflict Zones

Why Robert Therrien is a big deal – The Art Newspaper

A selective history of the moving image comes to downtown Los Angeles – The Art Newspaper

Éliane Radigue, Composer of Epochal Electronic Sounds, Dies at 94

Is it finally time for the Guerrilla Girls to remove their masks? – The Art Newspaper

Recent Posts
  • Oregon: America’s Premier Domestic Nickel Opportunity
  • Bearing the weight of the world: Amanda Ross-Ho rolls out a new performance at Frieze Los Angeles – The Art Newspaper
  • Domestic Metals: Investing in America’s Copper Future to Meet Critical Metal Demand
  • Los Angeles museums on the cusp of new golden age – The Art Newspaper
  • ‘Painting continues to be viable’: Enrique Martínez Celaya on his sugar-coated show at the Wende Museum – The Art Newspaper

Subscribe to Newsletter

Get the latest markets and assets news and updates directly to your inbox.

Editors Picks

Bearing the weight of the world: Amanda Ross-Ho rolls out a new performance at Frieze Los Angeles – The Art Newspaper

February 26, 2026

Domestic Metals: Investing in America’s Copper Future to Meet Critical Metal Demand

February 26, 2026

Los Angeles museums on the cusp of new golden age – The Art Newspaper

February 26, 2026

‘Painting continues to be viable’: Enrique Martínez Celaya on his sugar-coated show at the Wende Museum – The Art Newspaper

February 26, 2026

Palisades Fire Memorial rises from the ashes – The Art Newspaper

February 26, 2026
Facebook X (Twitter) Instagram
© 2026 The Asset Observer. All Rights Reserved.
  • Privacy Policy
  • Terms
  • Press Release
  • Advertise
  • Contact

Type above and press Enter to search. Press Esc to cancel.