Close Menu
  • News
  • Stocks
  • Bonds
  • Commodities
  • Collectables
    • Art
    • Classic Cars
    • Whiskey
    • Wine
  • Trading
  • Alternative Investment
  • Markets
  • More
    • Economy
    • Money
    • Business
    • Personal Finance
    • Investing
    • Financial Planning
    • ETFs
    • Equities
    • Funds

Subscribe to Updates

Get the latest markets and assets news and updates directly to your inbox.

Trending Now

Eastman Johnson Paintings Stolen in NYC in 1978 Are Recovered in Connecticut

September 4, 2026

The wine world has a new grape: Sémillon Gris is officially certified as a brand new variety with South African origins

September 4, 2026

Deep Dive: Managers issue warning over awareness campaigns’ ability to create investment culture

September 4, 2026
Facebook X (Twitter) Instagram
Facebook X (Twitter) Instagram
The Asset ObserverThe Asset Observer
Newsletter
LIVE MARKET DATA
  • News
  • Stocks
  • Bonds
  • Commodities
  • Collectables
    • Art
    • Classic Cars
    • Whiskey
    • Wine
  • Trading
  • Alternative Investment
  • Markets
  • More
    • Economy
    • Money
    • Business
    • Personal Finance
    • Investing
    • Financial Planning
    • ETFs
    • Equities
    • Funds
The Asset ObserverThe Asset Observer
Home»Art Market
Art Market

‘Putin didn’t win; art won’: Venice Biennale president defends decision to allow Russia’s participation – The Art Newspaper

News RoomBy News RoomSeptember 4, 2026
Share
Facebook Twitter LinkedIn Pinterest Email

The president of the Venice Biennale, Pietrangelo Buttafuoco, has defended his decision to include Russia at the event this year, saying that “Putin didn’t win; art won”.

The 61st edition of the Biennale, which opened in May, has been tumultuous with both Israel’s and Russia’s participation sparking protests. Italy’s culture minister, Alessandro Giuli, boycotted the Biennale opening, stating that “Putin had won at the Biennale”.

But in an interview with the Italian newspaper, Corriere della Sera, published on 1 September Buttafuoco says that “the Biennale won—not through me personally, but through the history of an institution that looks out at the world and, over its 131 years, even during numerous conflicts, has always welcomed everyone.”

Russia’s show in its Giardini pavilion closed following the previews amid warnings from the European Union (EU) that the Biennale could be breaching EU sanctions by facilitating Russia’s participation. In July, the EU formally cut its €2m grant to the Biennale.

At a conference on 6 May, Buttafuoco said that calls to ban countries from the Biennale would go against its mission to be “the place where the world comes together”.

In the interview with Corriere della Sera, Buttafuoco is asked: “Would you do it all over again, [in terms of the] clash with the government and the European Commission?” He responds “Everything [again]. It was more than right and proper regarding the institution I preside over. In all formal and official documents, there isn’t a single comma that runs counter to laws and regulations.”

Buttafuoco adds: “The EU’s contradiction lies in denying freedom of expression based on a specific nationality. It is unheard of, given the principles enshrined in every charter of rights.” The EU was contacted for comment.

During the interview Buttafuoco also listed recent projects launched by the Biennale including a reissuing of the quarterly historic Venice Biennale magazine, which is largely drawn from material in the historical archive of La Biennale, and a new podcast called Biennale on Air.

Share. Facebook Twitter Pinterest LinkedIn Tumblr Email

Keep Reading

Eastman Johnson Paintings Stolen in NYC in 1978 Are Recovered in Connecticut

Triumphal Arch Construction to Start Without Approval, Heatwaves Come at Hefty Cost to French Museums, and More: Morning Links for September 4, 2026

Ten surprising facts about the Bayeux Tapestry – The Art Newspaper

Long-hidden Van Gogh self-portrait to star in major Paris exhibition – The Art Newspaper

What Was Pop Art, the 1960s Art Movement that Changed Art History?

This New Eva Hesse–Inspired Novel Is an Experiment in Form (and Foam)

From DIY endeavour to London art world mainstay: Bold Tendencies celebrates 20 years – The Art Newspaper

Christie’s and Bonhams Quietly Hike Buyers’ Fees

The Lucas Museum Doesn’t Have a Narrative

Recent Posts
  • Eastman Johnson Paintings Stolen in NYC in 1978 Are Recovered in Connecticut
  • The wine world has a new grape: Sémillon Gris is officially certified as a brand new variety with South African origins
  • Deep Dive: Managers issue warning over awareness campaigns’ ability to create investment culture
  • Triumphal Arch Construction to Start Without Approval, Heatwaves Come at Hefty Cost to French Museums, and More: Morning Links for September 4, 2026
  • Ten surprising facts about the Bayeux Tapestry – The Art Newspaper

Subscribe to Newsletter

Get the latest markets and assets news and updates directly to your inbox.

Editors Picks

The wine world has a new grape: Sémillon Gris is officially certified as a brand new variety with South African origins

September 4, 2026

Deep Dive: Managers issue warning over awareness campaigns’ ability to create investment culture

September 4, 2026

Triumphal Arch Construction to Start Without Approval, Heatwaves Come at Hefty Cost to French Museums, and More: Morning Links for September 4, 2026

September 4, 2026

Ten surprising facts about the Bayeux Tapestry – The Art Newspaper

September 4, 2026

‘Putin didn’t win; art won’: Venice Biennale president defends decision to allow Russia’s participation – The Art Newspaper

September 4, 2026
Facebook X (Twitter) Instagram
© 2026 The Asset Observer. All Rights Reserved.
  • Privacy Policy
  • Terms
  • Press Release
  • Advertise
  • Contact

Type above and press Enter to search. Press Esc to cancel.